Holding the Past at Bay
- Peter K F Cheung SBS

- 2 hours ago
- 3 min read
FADE IN
Act 1
INT. GOLDEN BAY - 14:30
A gentle sun hangs over. The water is calm, a muted jade green. Unusually pale, fine sand covers the beach. PETER approaches the water's edge, gazing at the horizon.
He wades in. No gasp. No hesitation. He pushes off and begins a steady, rhythmic front crawl.
The water parts before him. Bubbles rush past his ears. He swims past a lifeguard raft in the middle of the swimming area; the LIFEGUARD's umbrella blocks his view towards the distant buoy line.
PETER (V.O.): The bay is wide. I don't know why it has no floating platforms that swimmers can climb onto and to catch their breath. Every other beach in Hong Kong has them.
He stops for a moment. Looks left, look right.
PETER (V.O.) (Cont'd): Not here.
He keeps swimming until he reaches the buoy line, then grabs an orange buoy tightly.
PETER (V.O.) (Cont'd): If I ran into trouble, the lifeguard would likely miss it, since the umbrella blocks his view of the outer edge.
Peter stares at the distant shore.
PETER (V.O.) (Cont'd): I know the risk. I feel very small out here.
Act 2
MONTAGE
A. Castle Peak Bay - Day. (1964). Peter (10) and his FRIENDS play and splash in the water.
B. Caferia New Beach - Day (1965). Peter (11) and his friends dig into the sand, searching for clams, and place them in a small bucket.
C. District Land Office, Tuen Mun - Day (1980). Peter (25) studies the blueprint of a marina project, including a man-made beach.
END MONTAGE
PETER (V.O.) (Cont'd): That beach was Golden Beach. I was a new Land Executive eager to learn everything I could.
Pausing.
PETER (V.O.) (Cont'd): I wasn't involved in the project. I helped resume some land to expand the Tuen Mun Highway.
Pausing.
PETER (V.O.) (Cont'd): The Beach was finally built in 1994. The sand was from Hainan Island.
Pausing.
PETER (V.O.) (Cont'd): Even leisure places were shaped by human decisions and distant places.
Pausing.
PETER (V.O.) (Cont'd): It was only after I stopped active government servcie in 2014 that I began visiting Golden Beach fairly regularly.
Peter continues to swim to a corner.
PETER (V.O.) (Cont'd): Without a floating platform to stop at, I just keep going. No excuse to quit.
Swimming.
PETER (V.O.) (Cont'd): A swimming area without floating platforms is like a mirror. I either keeping moving or sink into what I see.
Swimming.
PETER (V.O.) (Cont'd): Experience tells me that I can swim continuously for 45 minutes.
Swimming.
PETER (V.O.) (Cont'd): The mystery of not having floating platforms here doesn't diminish my enjoyment - it simply becomes part of the Bay's character.
Peter begins to swim back to the shore.
INT. PETER'S NT HOME - 18:00
A small front garden with a driveway. Messy piles of papers and files on all three floors. Peter sits down on a sofa - the only clean surface.
PETER (V.O.): Whenver I come back, I do my best to let go of something.
Pausing.
PETER (V.O.) (Cont'd): I spend 40 years filing the past away. Then I spend the rest deciding which files to open and which to leave in the box.
He picks up a dusty photo album from the nearest pile. Opens it. Sees a faded photo of a young Peter.
PETER (V.O.) (Cont'd): I can't remember the occasion.
He smiles. Closes the album.
PETER (V.O.) (Cont'd): I don't drown the past. I just keep it at arm's length. Close enough to see. Far enough to breathe.
He puts it down on the pile again.
PETER (V.O.) (Cont'd): Meaning often lives in small, repeated acts.
He glances at the messy piles.
PETER (V.O.) (Cont'd): But my decluttering job is never done.
Act 3
INT. LIVING ROOM - 21:30
Peter uploads an image to a draft on his laptop. It shows a beachgoer enjoying sunbathing at Golden Beach.
PETER (V.O.): Holding the past at bay isn't forgetting. It's choosing which waves to let reach my feet.
Thinking.
PETER (V.O.) (Cont'd): Decluttering a house is hard. Decluttering a memory takes a lifetime of afternoon swims.
Reflecting.
PETER (V.O.) (Cont'd): The water doesn't erase what came before. It just makes me light enough to carry it.
The END
FADE OUT


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