Kaji: Different Strokes for Different Folks

FADE IN.

Act 1

INT. SLEEPING ROOM - MORNING

Resting at a bed corner, KAJI turns her head to stare at Peter who is checking his phone.

KAJI (V.O.): He doesn't want to get out of bed yet.

INT. BATHROOM - LATER

Kaji stares at Peter who is using his hands to rub his nose and ears.

KAJI (V.O.) (Cont'd): He doesn't rub like the way I do.

INT. SITTING ROOM - LATER

Kaji stares at Peter who is standing on his toes and stretching both hands upward overhead.

KAJI (V.O.) (Cont'd): I've no problem in standing on my hind legs too.

Act 2

INT. DINING ROOM - LATER

Seeing the MAID putting food on the table, Kaji takes her dining table seat ahead of Peter.

KAJI (V.O.): This is actually what I've been waiting for.

Peter shares his sandwich with Kaji, one piece at a time.

KAJI (V.O.)(Cont'd): Yes, one for you and one for me. That's fair.

Soon, only one piece is left on the plate.

KAJI (V.O.) (Cont'd): Is it for Peter or for me?

Peter appears focusing on his phone screen.

KAJI (V.O.) (Cont'd): Could he have forgotten whose turn is it?

Pausing.

KAJI (V.O.)(Cont'd): Yes, he can be forgetful.

Peter is still reading his phone screen.

KAJI (V.O.)(Cont'd): It seems that I'd better take the initiative.

As Kaji puts her hands on the edge of the dining table, she has attracted Peter's attention.

PETER: Okay! Last one!

KAJI (V.O.)(Cont'd): That's mine for sure. But the proof is in the eating.

After having the last piece, Kaji checks the plate again.

KAJI (V.O.)(Cont'd): Oh, finished? No leftovers?

Kaji uses her tongue to lick the empty plate, making it shine.

Act 3

INT. SLEEPING ROOM - NIGHT

KAJI (V.O.): It's time for me to help Peter cleaning his face.

Kaji licks Peter's face affectionately.

KAJI (V.O.)(Cont'd): His face is quite salty. I love it.

Kaji then licks Peter's lips, nose and eyes.

KAJI (V.O.)(Cont'd): He's been the only one in the gang who doesn't resist my licking.

Pausing.

KAJI (V.O.)(Cont'd): Yes, different strokes for different folks!

FADE OUT.

THE END