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Kaji: Kick-Kick-Kick

  • Writer: Peter K F Cheung SBS
    Peter K F Cheung SBS
  • Nov 9, 2025
  • 3 min read
  1. FADE IN

  2.  

  3. Act 1

  4.  

  5. INT. HOME - MORNING


  6. Sunlight streams into a dining room. PETER returns from outside, holding a loaf of bread in a clear bag.


  7. KAJI (V.O): Breakfast time!


  8. Kaji can't wait to greet Peter, guiding him to the dining table while whining with excitement. Then, the PACK LEADER appears.


  9. PACK LEADER: No!


  10. Kaji doesn't move, but one back foot shifts, performing a tiny, frustrated scrape against the floor. It's a muted, indoor version of her kick.


  11. KAJI (V.O) (Cont'd): I can only do this small, contained protest.


  12. PACK LEADER (to Peter): It isn't good for her; she isn't slim.


  13. KAJI (V.O) (Cont'd): The warden has spoken. The breakfast alliance is, for now, dissolved.


  14. Kaji turns with a one last, slightly more pronounced scrape of her paw on the floor.


  15. Act 2


  16. INT. HOME - LATER


  17. Bedroom. The door creaks open and Kaji slips inside. She then leaps onto the bed to join Peter.


  18. PETER (Whispering): Hey you, still hungry after your meal?


  19. KAJI (V.O): Who could possibly turn down snacks?


  20. Peter reaches into his pocket and pulls out a few pieces of bread in a clear bag.


  21. PETER: Just a little.


  22. KAJI (V.O) (Cont'd): Our secret.


  23. Peter offers them to Kaji. She takes the pieces with precision, quickly.


  24. KAJI (V.O) (Cont'd): The forbidden crunch.


  25. As she swallows the last piece, she does two celebratory kicks with the back legs against the bedsheet.


  26. INT. HOME - LATER


  27. Quiet and empty. A single sunbeam cuts across the living room, illuminating Kaji resting in a large massage chair.


  28. KAJI (V.O): When the Pack Leader is using it, I can hear the continuous kick-kick-kick sounds.


  29. Pausing.


  30. KAJI (V.O) (Cont'd): I prefer the tranquility of silence and the warmth of sunshine.


  31. Kaji lets out a long, contented sigh.


  32. KAJI (V.O) (Cont'd): What a wonderfully lazy afternoon for me.


  33. EXT. RIVERSIDE PARK - EVENING


  34. The golden hour. The park is peaceful. The Pack Leader and Peter walk side by side. Kaji trots ahead on her leash, sniffing the air with purpose.


  35. KAJI (V.O): All scents are logged. Non-threatening.


  36. Kaji leads them to a specific lush patch of grass.


  37. KAJI (V.O) (Cont'd): This is my spot.


  38. Kajj sniffs it thoroughly, confirming its status, then assumes the position.


  39. KAJI (V.O) (Cont'd): Business is done.


  40. Afterward, Kaji performs her signature move: a vigdorous, satisfying kick-kick-kick with her back legs, sending tufts of grass and dirt flying behind her.


  41. KAJI (V.O) (Cont'd): The ritual is complete. My turf is marked. A job well done.


  42. The Pack Leader and Peter share an amused look.


  43. INT. HOME - LATER


  44. Kaji is observing the kitchen and the dining table.


  45. KAJI (V.O): Anomaly. No one is working in the kitchen and the dining table isn't set.


  46. Pausing.


  47. KAJI (V.O) (Cont'd): On nights like this, it'd be set for four or five.


  48. Pausing.


  49. KAJI (V.O) (Cont'd): I'd sit beside them, gettng some snacks from the Pack Leader and Peter.


  50. Soon, Kaji spots the Pack Leader, Peter, along with a gang MEMBER, preparing to leave home.


  51. PACK LEADER: Stay home. Be a good girl.


  52. KAJI (V.O) (Cont'd): That means I'll be alone without any snacks.


  53. Act 3


  54. INT. HOME - CONTINUOUS


  55. Kaji rests in the massage chair.


  56. KAJI (V.O): The "kick-kick-kick" isn't about covering. It's the satisfying stamp on a completed transaction with the earth.


  57. Thinking.


  58. KAJI (V.O) (Cont'd): My kicks are the canine equivalent of a masterpiece that only they can appreciate.


  59. Reflecting.


  60. KAJI (V.O) (Cont'd): Kick-Kick-Kick is a symphony of scent, a declaration of territory, and a ritual of closure, all performed in three silent, powerful movements.


  61. FADE OUT

  62.  

  63. THE END

 
 
 

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