The Present Is A Verb
- Peter K F Cheung SBS

- 2 days ago
- 3 min read
FADE IN
Act 1
INT. LIVING ROOM - 08:30
Sunlight bleaches the room. PETER stands before a mirror, adjusting his tie. On the desk: a big envelope stamped: Non-refoulement.
PETER (V.O.): I came back from my July trip yesterday. I was so tired that I went to bed at 10pm.
Pausing.
PETER (V.O.) (Cont'd): Before and during the trip, I've been reminding myself that I need to work right after it.
Pausing.
PETER (V.O.) (Cont'd): When I booked my early July trip, I thought about postponing it to mid or late July.
PETER (V.O.) (Cont'd): But I know work will happily consume me if I let it.
He puts the envelope inside his brief case.
PETER (V.O.) (Cont'd): Just months ago, I still give priority to work over pleasure...
He walks out.
Act 2
INT. MEGA BOX - 13:30
Peter walks up the spacious commercial mall.
PETER (V.O.): Whenever I finish working in the vicinity, I'd come here shopping. I've a duty to others as well as to myself.
GigaSport. Peter buys two pairs of colourful swimming briefs.
PETER (V.O.) (Cont'd): I love the design and the salesgirl's service was very good.
AEON. Peter buys two pairs of prescription goggles with tainted finishes.
PETER (V.O.) (Cont'd): They wear and tear quickly as I use them daily.
IKEA. Peter walks through the corridors, picks up an aesthetic table lamp and pays at the cashier.
PETER (V.O.) (Cont'd): Life is not a spectator sport. It's a full-contact verb.
INT. CHA CHAAN TENG - 15:15
Crowded. Peter shares a small table with a STRANGER. A bowl of glistening roast goose noodles in soup steams before him. He picks up his chopsticks.
PETER (V.O.): The skin cracks perfectly.
He slurps the noodles.
PETER (V.O.) (Cont'd): The present is a verb.
He sips a lemon honey drink.
PETER (V.O.) (Cont'd): It's one of my micro-habits that make me me.
INT. LIVING ROOM - 16:00
Peter sits on a sofa, still in his work shirt but with the tie discarded. The Duolingo owl on his phone cheers him on.
PETER (V.O.): Done. All my seven streaks.
Recalling.
PETER (V.O.) (Cont'd): Today, I strived to speak some French to my client and my interpreter.
EXT. SILVERSTRAND BAY - 18:05
The lifeguard tower is empty. Peter swims butterfly from the floating platform back to shore.
PETER (V.O.): My rhythm can be better.
He floats on his back.
PETER (V.O.) (Cont'd): No one is watching over me. I'm watching over myself.
He resumes his butterfly.
PETER (V.O.) (Cont'd): Waiting for the right moment is like waiting for the water to be still before I swim. The water is never still. I move, or I sink.
INT. LIVING ROOM - 19:35
Peter sits at an upright piano. He places his fingers on the keys, They hesitate.
PETER (V.O.): I haven't touched the piano since my early July trip.
He plays the chord progression: Cm7, F7, Bbmaj7 Ebmaj7...
PETER (V.O.) (Cont'd): I don't play perfectly.
He continues to play stubbornly.
PETER (V.O.) (Cont'd): The wrong note played today is worth more than the perfect chord I imagine for tomorrow.
Pausing.
PETER (V.O.) (Cont'd): For decades, I treated the present as a reward for past labour. Now I know how wrong I was.
Act 3
INT. BEDROOM - 22:00
Peter uploads an image to a draft on his laptop. It shows part of his new swimming briefs with names of Hong Kong bays on it, hanging on the side mirror of his car.
PETER (V.O.): Every morning, the world asks me to be a noun - a lawyer, a retiree, a role. I answer with a verb, I play, I swim, I live.
Thinking.
PETER (V.O.) (Cont'd): The voice that says "later" is a ghost conjugating the dead tense. The voice that says "now" is the only one that breathes.
Reflecting.
PETER (V.O.) (Cont'd): I used to think the present was a bridge to somewhere better. Now I know: the bridge is the place. Walk it. Swim under it. Play jazz on it. That's the verb. That is all there is.
The END
FADE OUT


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